Lasers are ubiquitous in science and technology, with applications ranging from optical communications and quantum technologies to metrology and sensing and to life sciences and medical diagnostics. However, most commercially used lasers are still based on legacy optical schemes. These devices are either bulky and expensive limiting product development, or lack the ability to quickly sweep or precisely control the laser wavelength, which is key to many applications. At the same time, the advent of advanced photonic integration platforms such as silicon photonics has opened new perspectives, realized only for exascale data centers in telecommunication wavelengths around 1310 and 1550 nm. AgiLight aims at establishing a new class of integrated lasers that can address the entire wavelength range from the blue (400 nm) to the infrared (2.7 µm). These devices rely on a hybrid integration platform that combines ultra-low-loss silicon nitride photonic circuits with advanced tuning actuators and with III-V gain elements, exploiting highly scalable assembly concepts based on 3D printing. The devices will offer high output powers (> 100 mW), down to Hz-level laser linewidths, and unprecedented frequency agility with nanosecond response times and wideband tunability. Comprising leading European research groups and high-tech start-ups as well as a major industrial player, AgiLight will translate ground-breaking research to rapid technology uptake and tailor laser systems for atomic and molecular physics and optics, distance ranging and sensing using the expertise of end-users. The project covers the theoretical and nanofabrication foundations of the envisaged light sources as well as their implementation and functional demonstration in highly relevant research applications throughout the visible and near-infrared spectrum. AgiLight will lay the foundation for an all-European value chain of a novel class of light sources, covering the III-V and low-loss PICs.

Qu-Test is a partnership of European testbeds for quantum technology, which is composed of distributed infrastructures with globally unique equipment and competencies across Europe. The goal of the partnership is to provide European industry with the necessary support in terms of infrastructure and know-how to move faster to the market and create a robust supply chain for the quantum technology market. The partnership is aligned along three testbeds: quantum computing, quantum communication, quantum sensing. In more detail, the Quantum Computing Testbed will measure, characterise and validate cryogenic quantum devices, cryogenic qubits such as superconducting and semiconducting qubits, photonics qubits and ion traps provided by European industry, with an increasing service maturity and targeting larger quantum processors during the course of the FPA. The Quantum Communication Testbed will characterise devices for Quantum Key Distribution (QKD) and Quantum Random Number Generation (QRNG) and provide design and prototyping services to support innovation in the supply chain of quantum communication technologies. Finally, the Quantum Sensing Testbed will benchmark sensing and metrology instruments provided by industry and use a large suite of quantum sensors (clocks, gravimeters, magnetometers, imagers) to validate industrial use cases aiming at generating new business cases for quantum sensing and metrology devices. The three testbeds will be coordinated by a Single Entry Point (SEP) that will receive the requests of industry and direct them efficiently to the right testbed infrastructure. With additional services of IPR support, business coaching and innovation management, Qu-Test supports the European quantum industry with a holistic one-stop-shop to move the full ecosystem forward.

Q-SENSE will promote international and inter-sector collaboration for the advancement of science and the development of innovation in the area of cold atom quantum sensors. In particular it fosters a shared culture of research and innovation that turns the Nobel-prize winning ideas of cold atom research and precision measurement (Nobel prizes 1997 and 2005) into innovative products. In particular, we bring together a synergetic network of the world leaders in optical clocks and atom interferometers with technology translators and end user applicants to promote space and terrestrial applications of optical clocks and cold atom gravity sensors with an additional eye on implications on policies via the JRC. Our research and innovation programme will deliver knowledge exchange around a technology demonstrator for a space optical clock, development plans for atom interferometer satellite missions, an open source toolbox for simulations of atom interferometer performance in real-world applications and outreach to over 70 companies and the public raising awareness of the potential of optical clocks and cold atom gravimeters for economic and societal benefits, such as in global water monitoring, humanitarian de-mining, satellite navigation and broadband communication. Q-SENSE will enhance the skills of research- and innovation-related human resources in our partner organisations to work seamlessly across sectors and provide new career perspectives in the emerging area of commercial quantum technologies.

"<< Background >>Digital technologies in education are an area of strong development in innovation in all sectors of higher education. However, in music education, this process is held back by difficulties in the development of training in instrumental and vocal practise, which may be particularly complex in the case of multiple performers who play and/or sing together, particularly in the example of chamber music. Performing together cannot be assimilated to a lecture or discussion, in which teachers and students interact verbally. As a result, the didactical development for the primary departments in this area is stalled, although there are some promising technological solutions. It is necessary to test these solutions in the academic environment to see how well they meet the needs of higher education. This could be the starting point for a methodological, technological and organizational study toward an overall assessment of current technical possibilities and their possible practical uses, by creating a specific model of integrated digital didactics tailored to the needs of higher education in chamber music. The research and development of new tools, materials and pedagogical models for higher education in music will respond to the needs of the sector at various levels: 1) for teachers, to define some categories of teaching activities that can be completed with the use of digital technologies and their technological requirements, together with the required digital skills and any necessary training to achieve these skills; 2) for students, to define requirements for equipment, technologies and digital skills needed to participate in such ""digitalized"" activities; 3) for directors, to define the requirements, available options and levels of implementation for the organization and facilities in institutions of higher musical education.<< Objectives >>The main objectives of the project are to: -- analyze the state of the art in digital technologies suited to teaching practices in chamber music, with particular reference to solutions for synchronized live streaming between different environments, thus allowing several musicians to perform together while distanced; -- explore the different types of usage and educational settings in which digital technologies could find a valid application, in addition to analyzing related requirements in technological and digital skills of teachers and students; -- define a model of integrated digital education specific to higher education in chamber music in various forms, such as integrating instruction live and through distance learning. This is proposed by means of digital technologies adopted for students in attendance in order to develop their ability to use music technologies, and through the creation of mixed live / virtual music classrooms with part of the students in live attendance and others participating through distance learning;-- articulate the model on different levels in order to make it applicable in different contexts with different needs and means; -- offer a concrete and immediately applicable contribution to higher education in music in terms of an innovative methodological model for integrated digitalized education in the field of chamber music; -- make available to the sector recorded tools and resources to facilitate the application of the method;-- propose, through the direct and indirect impact of this project and by the dissemination of the project results, validation for the integration of digital technologies in chamber music instruction in higher education in music, particularly in consideration of the fact that this instruction is currently held back by the lack of specific research.<< Implementation >>The following primary activities are planned in order to achieve the project objectives: - a collection of best practices in the use of digital technologies in higher music education; - research on the international state of the art in digital technologies for streaming available through open source applications; - analysis of the needs for integrated digital teaching in higher musical education, with particular reference to chamber music; - elaboration of an innovative methodological model for integrated digital didactics in the sector, applicable at different levels and in different situations; - analysis and documentation of the requirements for the implementation of integrated digital instruction in higher music education at different levels, including requirements for equipment, internet connectivity and any technological skills required of teachers and students; - collection and archiving in an open repository of digital educational content useful for the implementation of the proposed innovative teaching methods in this specific field; - training of both teacher and researchers in project partner institutions to develop and test the methodology, texts and tools of the project; - project pilot testing in the participating conservatoires from 6 European countries (IT, RO, HU, ES, BE, SI) for field verification of the proposed model of integrated digital education in chamber music; - production of documents, materials and tools useful for the development of innovation in higher education on chamber music content consistent with the outcomes of the pilot testing; - wide distribution of the model and results throughout Europe and internationally.<< Results >>The IVMS project is expected to produce: - Project result no. 1: a research report on “Digital technologies in Higher Education for Chamber Music. State of the Art Analysis” ; - Project result no. 2: the “New In Media Stat Virtus Method for Distance Training in Vocal – Instrumental Chamber Music: Guidelines for Teachers ; - Project result no. 3: the “New In Media Stat Virtus Method for Distance Training in Vocal – Instrumental Chamber Music. Handbook for Applied Technologies” ; - Project result no. 4: the web database of educational resources “In Media Stat Virtus Repository: digital OERs for training in vocal – instrumental chamber music”; - Project result no. 5: the distance learning program for teachers “eCourse – Introduction to the In Media Stat Virtus method for the development and delivery of distance training in vocal – instrumental chamber music”; - Directed experimentation and validation of said results in six European institutions of higher musical education and/or conservatoires; - European and international distribution of the results through events open to professionals in the sector in six countries and the open distribution and online use of results."