This research project explores how Sinophone digital art imagines the technologically mediated future. It focuses on four key themes: online exhibitions in times of crisis, technological embodiment, the platformization of self-care, and (non-)anthropocentric AI. The study adopts a cultural analysis approach supported by art historical and ethnographic methods, and a theoretical framework constituted by the concepts Sinophone, worlding, and Sinofuturism. The findings reveal that Sinophone digital art imagines the technologically mediated future as locally specific yes not locally determined, as intertwined with the present, and as reflective of the intricate and nuanced realities of everyday life.