Over recent decades there has been what many have called a 'visual turn' within the social sciences. Within visual criminology important research agendas have developed on prisons and community punishments, the fear of crime and punitiveness, and media representations of crime and deviance. Against this context, it is difficult to understand why policing has not also been more significantly subjected to research that is theoretically and methodologically informed by the visual. One of the reasons why this lacuna is particularly puzzling is that there is a long-standing body of work within the sociology of policing that emphasizes the significance of symbolism, that police embody state sovereignty, and that there are strong performative and communicative dimensions to police activity. Police uniform and patrol cars, for example, together with ceremonial flags and regalia, are considered significant to public perception, trust and legitimacy. Analysis of these is further developed in this study but wider dimensions of visibility are also included. The location, design and architecture of police buildings, material cultural representations of policing in children's toys, and social media imagery of policing are among the novel dimensions of police visibility considered in this research. No previous study has considered these broad terms or tested public perceptions of these different dimensions using visual research methods. In policy terms, visibility in policing has been primarily addressed in narrow terms regarding the potential for patrol officers to provide reassurance to anxious publics. In the context of recent policy debates about future deployment of diminishing resources there have been frequent commitments to the provision of visible frontline policing. Against a background of funding cuts imposed in the years after 2010, government ministers have tended to claim that such reductions could be focused on aspects of policing that would not reduce visible police presence. Opponents, however, have argued that spending cuts ought to be reversed in order to preserve frontline services. From whatever side of the debate, the provision of visible patrols has been presented in terms of staff on foot or in vehicles as a physical presence in public space. Building upon an emerging body of research in sociology, criminology, media, cultural studies, and human geography, this project examines the nature and impact of visible policing through the study of a wider range of activities and material practices that increasingly shape perceptions of policing, but have been neglected in research terms. Three strands of visibility are identified: 1. The symbolic power of police stations. This is particularly important since the architecture of the police estate changes as new properties (often in new locations) adopt contemporary forms and as pressure on resources leads to co-location with other agencies in shared premises. 2. The symbolic properties of police material culture, including ceremonial uniforms, flags, badges, tourist souvenirs, and children's toys. This strand will incorporate analysis in terms of the organisational and professional identity of police staff as well as public perceptions of legitimacy. 3. Police visibility in social media, incorporating official police accounts as well as those owned by individual officers, staff associations and other networks. These will be considered in terms of their impacts on the public, including whether the police play an online role analogous to real world patrol, for example, in providing for public reassurance. Photo elicitation and photo narrative techniques will be used to generate data that will address the key research questions and also provide a body of visual material that will inform focus group discussion. Visibility will be enhanced through the dissemination of findings via a dedicated website, a public exhibition and via production of a documentary film.